# NFT: Constraint - Eric Andwer

Source: https://verse.works/exhibitions/constraint

## Summary

Eric Andwer's NFT project Constraint uses generative code to express emotion, drawing on his experience with depression and his belief that life is messy. He began making generative art in 2020 after discovering Art Blocks, which he saw as a way to bring images to life that his drawing skills could not produce. The article says Eric sees creating art as a release for anger, frustration, anxiety and depression. It describes the outputs' gritty textures, drips, and colour palettes, such as bold reds and yellows for aggression or confidence and muted tones for feeling subdued.

## Article

Eric’s imagination has always been awash with images that he wanted to bring into existence, but believing his drawing skills were inadequate, it wasn’t until he found generative art that he had a medium that allowed him to do so. Upon discovering Art Blocks, a door was opened, and in 2020 Eric began creating art through code.

Eric holds transparency in high regard - he’s struggled with depression, and he recognises that sometimes life is messy. For him creating art is like opening the pressure valve on the emotions that build up within. It is somewhere to deposit anger, frustration, anxiety and depression to create something beautiful. It is a transformative, expressive alchemy. It allows people to take raw emotion and connect with others through a shared passion, the love of art.

Life is full of constraints. We are governed by social norms that dictate what is and isn’t acceptable. Sometimes we must mask our emotions but, in creating Constraint, Eric felt he was able to shed the mask and break through the ties that bind us, embracing imperfections.

It is tempting to ask the interminable question, which came first, the chicken or the egg? Are these outputs steeped in emotion because it was hard coded into their algorithm by Eric, or do the outputs stir our emotions because the impulse to connect and feel deeply is hard coded into us?

These imperfections can be seen in the sometimes scribbled, gritty texture of the outputs, and the drops and drips that proliferate, scattering across the images like life’s essence bursting out beyond repressive boundaries. Some outputs are dominated by bold blacks and reds and yellows, conveying aggression or confidence, and some have more muted colour palettes, just as we can feel subdued and defeated at times. Some outputs are chaotic and others minimal, conveying feelings of being overwhelmed and isolated respectively.