# Rethinking the unbearable weight of self-promotion

Source: https://metalabel.substack.com/p/rethinking-the-unbearable-weight
Kiwi News: https://news.kiwistand.com/stories/Rethinking-the-unbearable-weight-of-self-promotion?index=0x666b04f6866cbccd9bfa9da9a96647bbf537075c18441a87de61adbeaf9b1b8cdfc4ce0d
Submitted by misha on 2024-06-13 UTC, 1 upvote, 0 comments

## Summary

Self-promotion is presented as a way to honor creative work rather than a burden, in a newsletter from Metalabel. The writer, who spent 18 months on a book from a major publisher, says promoting it took as much time as writing it, through short videos, podcasts and live events. Rapper Tyler, the Creator is quoted urging creators to stand proudly by their projects instead of posting once and moving on. The issue also covers artist Shantell Martin's free Shantell Sans font, based on her handwriting, and the history of the Odd Future collective, which began as a Tumblr.

## Article

In the past thirty years what it means to be an artist has dramatically changed.

Before the internet being an artist meant operating in a very specific area where the gatekeepers, critics, and ways of doing things were well-structured and defined. You as the artist plugged into this system if invited (most artists were not), and your work moved through a predictable process.

After the internet, that predictable process has been rewritten, reset, and even erased. The web digitized the expression and consumption of virtually all creative output, producing an abundance that’s changed what it means to be a creative person. No longer could we make it and forget it. Instead being a creative person meant becoming a self-marketer, an image-maker, a community manager, and many other new hyphenates that lengthened the artist’s job description.

To cite one example, a piece in the Guardian this week notes the pressures and expectations on authors have considerably grown in recent years:

“When Debbie Macomber, who has written dozens of novels since the 1980s… first started out, “all she had to do was write,” says Ashley Hayes, a marketer who began her career a decade ago on a team dedicated to Macomber.

“Things have evolved through the years,” says Hayes, “and now there’s just all of these things that authors are expected to do. They’re expected to have a website, a newsletter, be active on social media, have a plan for how they’re going to talk about their book. And a lot of authors just want to write the book: that’s why they became an author, not to do all the other stuff.”

I experienced this first-hand after I wrote a book put out by a big publisher. I spent 18 months getting the book just right. When I finished I thought my job was done. I was very wrong.

Instead my job became to create as much content as possible to advertise the existence of the book. I did a lot of this — the book was conjugated into a short-form video, a series of standalone essays, discussions on many podcasts, and dozens of IRL events. But it never felt like enough, and I was often grumpy about it. Why did I have to spend as much time promoting the work as I did making it? That’s not what I thought being an author was supposed to be.

But as the rapper Tyler, the Creator notes in an interview that lives rent-free in my head, promoting our work doesn’t have to be a chore — it’s an opportunity for us to honor what we worked so hard to make:

“I know a lot of people who make things who don’t stand proudly by their stuff,” Tyler says. “I don’t know if they’re too cool or they don’t want to look thirsty, but they’ll put a song out once on their stories — and that’s it.

"You went through something. You figured something out in a structured format. You recorded it. Not just one take. Parts and parts. You edited it. You mixed it. The label paid some kid to make an album cover and they made the cover. It’s a whole thing.

“And then you mean to tell me that you’re going to be passive and just put it on your story once? Are you crazy, bro?

“I’m still promoting an album that came out a year ago. I put too much time and energy into this finished project just to put it on Instagram and forget about it. No. Promote. Let people know. Be proud of what you made.”

I find myself tapping into Tyler’s fire constantly. Promotion isn’t a chore. It’s a gift. A chance for us to celebrate the effort we and others put into our work. We shouldn’t shy away from it or treat it like a burden. Relish it as an opportunity to honor something we worked hard to make that we believe in.

It’s also about promoting creatively. It’s not just saying the same thing over and over again. It’s also introducing layers of understanding and context around your work that are true to why you create. In next week’s email we’ll dig into some specific examples of how to do that. Until then, inject Tyler’s passion into your veins and practice being proud of what you make.

Beloved visual artist Shantell Martin returns to Metalabel with a release that turns her iconic handwriting — the star of her visual work — into a font that anyone can use.

The radicalness of this act should not be underestimated. Shantell has taken what’s most well-known about her work — the distinctive lettering made by her hand — and made it an open tool. Imagine a musical artist releasing a model of their own voice for others to use — that’s the kind of open sourcing that’s happening here.

Following up on her previous Metalabel release — a deluxe package of vinyl and artwork called Bad Ideas — Shantell Sans shows the diversity, creativity, and range of Shantell’s work. Download Shantell’s font library for free and collect a distinct piece by an exceptional artist.

Collect "Shantell Sans"

How to describe “Uniform,” the debut collaboration by the groups Chaotic Goods and Out of Office Network? Is it fashion? A social experiment? A shibboleth for unlocking IRL conversation? The collective behind the project emphatically says YES to all of the above.

“Out of Office Uniform” is a limited edition sweatshirt that invites people to interact with whoever wears it (“This is an invitation to chat,” the back of the sweatshirt reads) that’s more than merch:

“By buying this uniform, we are prototyping a community of practice (and an economy) that better serves us, as humans and humans who work,” the group’s release page reads. “It means you're part of a group developing new ideas, tools and ventures to pave the way to new models of living and working.”

We like the sound and look of that.

Collect "Out of Office Uniform"

Every month we create space to explore Metalabel, share creative work, and hold open discussions about the wider creative universe.

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The past few weeks we’ve been rabbit-holing and appreciating the history of Odd Future, the music/fashion/skate collective started by Tyler, the Creator, and whose members include(d?) future stars Frank Ocean, The Internet, Earl Sweatshirt, Steve Lacy, and Tyler, the Creator.

The group began when Tyler was 15-years-old in LA. He wanted to make a zine celebrating his love of music, fashion, and skateboarding, and gathered friends to help him make it. The zine didn’t happen, but Tyler had a better idea: start a collective Tumblr and treat it like a record label, as he explains in this tour video from two years ago.

The Tumblr was an immediate hit. The group began putting out new things every few weeks — songs, mixtapes, videos, clothes, even an Adult Swim TV show. Within months they were infamous as a wild new energy in music and culture. Watch the classic “Oldie” video to get a sense of why everybody got excited.

Alas, these things do not last forever. As individual members started to break out, the collective began to fade into the background and its current status is unclear. But that’s okay. The group already more than served its purpose. By having “an endless crew that trusted my ideas and visions,” Tyler’s dream came true. Not just through his own effort and not just for him, but for a squad of collaborators who came together around vision they shared. This is the way.

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